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Please discuss this issue on the article’s talk page. This article’s lead section does not adequately summarize key points of its contents. This can be either analog or digital. The letter “p” here stands for progressive scan, while “i” indicates interlaced. The increased resolution provides for a clearer, more detailed picture. In addition, progressive scan and higher frame rates result in a picture with less flicker and better rendering of fast motion. The ongoing competition between companies and nations to create true “HDTV” spanned the entire 20th century, as each new system became more HD than the last.
The Baird system was discontinued in February 1937. Color broadcasts started at similarly higher resolutions, first with the US NTSC color system in 1953, which was compatible with the earlier monochrome systems and therefore had the same 525 lines of resolution. European standards did not follow until the 1960s, when the PAL and SECAM color systems were added to the monochrome 625 line broadcasts. NHK set out to create an HDTV system that ended up scoring much higher in subjective tests than NTSC’s previously dubbed “HDTV”. This new system, NHK Color, created in 1972, included 1125 lines, a 5:3 aspect ratio and 60 Hz refresh rate. Early HDTV broadcasting used analog technology, but today it is transmitted digitally and uses video compression. The system was monochrome only, and was used only on VHF for the first French TV channel.
1,125 lines of resolution aimed at providing teleconferencing for military command. It was a research project and the system was never deployed by either the military or consumer broadcasting. In 1986, the European Community proposed HD-MAC, an analog HDTV system with 1,152 lines. A public demonstration took place for the 1992 Summer Olympics in Barcelona. In 1979, the Japanese public broadcaster NHK first developed consumer high-definition television with a 5:3 display aspect ratio. Several systems were proposed as the new standard for the US, including the Japanese MUSE system, but all were rejected by the FCC because of their higher bandwidth requirements. At this time, the number of television channels was growing rapidly and bandwidth was already a problem.